Paul verlaine poems in french

French poet (–)

Paul-Marie Verlaine (vair-LEN;^[1]French:[pɔlmaʁivɛʁlɛn]; 30 March – 8 January ) was a French poet associated with the Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.

Biography

Early life

Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle.

Verlaine's first published poem was published in in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard^[2] (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others.

Verlaine's first published collection, Poèmes saturniens (),^[3] though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.

Marriage and military service

Mathilde Mauté became Verlaine's wife in At the proclamation of the Third Republic in the same year, Verlaine joined the th battalion of the Garde nationale, turning Communard on 18 March

Verlaine became head of the press bureau of the Central Committee of the Paris Commune.

Verlaine escaped the deadly street fighting known as the Bloody Week, or Semaine Sanglante, and went into hiding in the Pas-de-Calais.^{[citation needed]}

Relationships with Rimbaud and Létinois

Verlaine returned to Paris in August , and, in September, received the first letter from Arthur Rimbaud, who admired his poetry.

Verlaine urged Rimbaud to come to Paris, and by , he had lost interest in Mathilde, and effectively abandoned her and their son, preferring the company of Rimbaud, who was by now his lover.^[3] Rimbaud and Verlaine's stormy affair took them to London in In Brussels in July , in a drunken, jealous rage, he fired two shots with a pistol at Rimbaud, wounding his left wrist, though not seriously injuring the poet.

Biography of paul verlaine jr Arthur Rimbaud Verlaine's hopes and good intentions, however, were shattered when he received a letter from the then unknown poet Arthur Rimbaud in January 8, Final years [ edit ]. His novels were notable for their sharp observations of political and social issues of the time.

As an indirect result of this incident, Verlaine was arrested and imprisoned at Mons,^[4] where he underwent a re-conversion to Roman Catholicism, which again influenced his work and provoked Rimbaud's sharp criticism.^[5]

The poems collected in Romances sans paroles () were written between and , inspired by Verlaine's nostalgically coloured recollections of his life with Mathilde on the one hand and impressionistic sketches of his on-again off-again year-long escapade with Rimbaud on the other.

Romances sans paroles was published while Verlaine was imprisoned. Following his release from prison, Verlaine again travelled to England, where he worked for some years as a teacher, teaching French, Latin, Greek and drawing at William Lovell's school in Stickney in Lincolnshire.^[6] From there he went to teach in nearby Boston, before moving to Bournemouth.^[7] While in England, he produced another successful collection, Sagesse.

Verlaine returned to France in and, while teaching English at a school in Rethel, fell in love with one of his pupils, Lucien Létinois, who inspired Verlaine to write further poems.^[8] Verlaine was devastated when Létinois died of typhus in

Final years

Verlaine's last years saw his descent into drug addiction, alcoholism, and poverty.

He lived in slums and public hospitals, and spent his days drinking absinthe in Paris cafés. However, the people's love for his art resurrected support and brought in an income for Verlaine: his early poetry was rediscovered, his lifestyle and strange behaviour in front of crowds attracted admiration, and in he was elected France's "Prince of Poets" by his peers.

Verlaine's poetry was admired and recognized as ground-breaking, and served as a source of inspiration to composers. Gabriel Fauré composed many mélodies, such as the song cyclesCinq mélodies "de Venise" and La bonne chanson, which were settings of Verlaine's poems.^[9]Claude Debussy set to music Clair de lune and six of the Fêtes galantes poems, forming part of the mélodie collection known as the Recueil Vasnier; he also made another setting of Clair de lune, and the poem inspired the third movement of his Suite bergamasque.^[10]Reynaldo Hahn set several of Verlaine's poems as did the Belgian-British composer Poldowski (daughter of Henryk Wieniawski) and German composer Anna Teichmüller.

Verlaine's drug dependence and alcoholism took a toll on his life. He died in Paris at the age of 51 on 8 January ; he was buried in the Cimetière des Batignolles (he was first buried in the 20th division, but his grave was moved to the 11th division—on the roundabout, a much better location—when the Boulevard Périphérique was built).^[11]

A bust monument to Verlaine sculpted by Rodo was erected in It sits in the Luxembourg Gardens in Paris.

Style

Much of the French poetry produced during the fin de siècle was characterized as "decadent" for its lurid content or moral vision. In a similar vein, Verlaine used the expression poète maudit ("cursed poet") in to refer to a number of poets like Stéphane Mallarmé, Arthur Rimbaud, Aloysius Bertrand, Comte de Lautréamont, Tristan Corbière or Alice de Chambrier, who had fought against poetic conventions and suffered social rebuke, or were ignored by the critics.

But with the publication of Jean Moréas' Symbolist Manifesto in , it was the term symbolism which was most often applied to the new literary environment. Along with Verlaine, Mallarmé, Rimbaud, Paul Valéry, Albert Samain and many others began to be referred to as "Symbolists." These poets would often share themes that parallel Schopenhauer's aesthetics and notions of will, fatality and unconscious forces, and used themes of sex (such as prostitutes), the city, irrational phenomena (delirium, dreams, narcotics, alcohol), and sometimes a vaguely medieval setting.

Biography of apostle paul Paul of Alexandria. An allegorical attack upon the hypocrisy of European efforts to spread their idea of civilization, complete with its systematic institutions of murder and violence, around the world. Paul's Case by Willa Cather, Paul, Bruno.

In poetry, the symbolist procedure—as typified by Verlaine—was to use subtle suggestion instead of precise statement (rhetoric was banned) and to evoke moods and feelings through the magic of words and repeated sounds and the cadence of verse (musicality) and metrical innovation.

Verlaine described his typically decadent style in great detail in his poem "Art Poétique," describing the primacy of musicality and the importance of elusiveness and "the Odd." He spoke of veils and nuance and implored poets to "Keep away from the murderous Sharp Saying, Cruel Wit, and Impure Laugh." It is with these lyrical veils in mind that Verlaine concluded by suggesting that a poem should be a "happy occurrence."^[12]

Portraits

Numerous artists painted Verlaine's portrait.

Among the most illustrious were Henri Fantin-Latour, Antonio de la Gándara, Eugène Carrière, Gustave Courbet, Frédéric Cazalis, and Théophile-Alexandre Steinlen.

• In preparation for Operation Overlord, the BBC via Radio Londres had signaled to the French Resistance that the opening lines of the Verlaine poem "Chanson d'automne" were to indicate the start of D-Day operations.

  The first three lines of the poem, "Les sanglots longs / Des violons / De l'automne" ("Long sobs of autumn violins"), meant that Operation Overlord was to start within two weeks. These lines were broadcast on 1 June The next set of lines, "Blessent mon coeur / D'une langueur / Monotone" ("wound my heart with a monotonous languor"),^[13] meant that it would start within 48 hours and that the resistance should begin sabotage operations especially on the French railroad system; these lines were broadcast on 5 June at ^[14][15][16]

Legacy

Among the admirers of Verlaine's work was the Russian language poet and novelist Boris Pasternak.

Pasternak went so far as to translate much of Verlaine's verse into Russian. According to Pasternak's mistress and muse, Olga Ivinskaya,

Whenever [Pasternak] was provided with literal versions of things which echoed his own thoughts or feelings, it made all the difference and he worked feverishly, turning them into masterpieces.

I remember his translating Paul Verlaine in a burst of enthusiasm like this – L'Art poétique was after all an expression of his own beliefs about poetry.^[17]

Media portrayals

Verlaine's relationship with Rimbaud was dramatised in the Australian TV play A Season in Hell and the film Total Eclipse, based on Christopher Hampton's play of the same name.^[18]

Musical adaptations

Later musical settings of Verlaine's works include:

Works in French (original)

Verlaine's Complete Works are available in critical editions from the Bibliothèque de la Pléiade.

Works in English (translation)

Although widely regarded as a major French poet—to the effect that towards the end of his life he was sobriquetted as "Le Prince des Poètes" (The Prince of Poets) in the French-speaking world—surprisingly very few of Verlaine's major works have been translated in their entirety (vs.

selections therefrom) into English. Here is a list to help track those known to exist.

French Title (Original)	English Title	Genre	Publisher, &c.
La Bonne Chanson	The Good Song	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Chansons pour elle	Songs for Her & Odes in Her Honor	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Fêtes galantes	Fêtes Galantes & Songs Without Words	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Odes en son honneur	Songs for Her & Odes in Her Honor	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Poèmes saturniens	Poems Under Saturn	Poetry	Princeton University Press, Translated by Karl Kirchwey. ISBN&#;
Romances sans paroles	Songs Without Words	Poetry	Omnidawn, Translated by Donald Revell. ISBN&#;
Mes hôpitaux	My Hospitals & My Prisons	Autobiography	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Mes prisons	My Hospitals & My Prisons	Autobiography	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Cellulairement	Cellulely	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;
Femmes/Hombres	Women/Men	Poetry	Anvil Press Poetry Ltd, Translated by Alistair Elliot. ISBN&#;
Voyage en France par un Français	Voyage in France by a Frenchman	Poetry	Sunny Lou Publishing, Translated by Richard Robinson. ISBN&#;

See also

References

Further reading

• Hanson, Lawrence & Elisabeth. Verlaine: Prince of Poets (Chatto & Windus, )
• Lehmann, John. Three Literary Friendships (Quartet, )
• Mackworth, Cecily.

  English Interludes: Mallarme, Verlaine, Paul Valery, Valery Larbaud, (Routledge & Kegan Paul, )

• Richardson, Joanna. Verlaine (Weidenfeld & Nicolson, )
• Troyat, Henri. Verlaine (Flammarion, )

External links